观巴黎油画记文言文注音版 《观gun巴b黎l油yu画hu记》 光gung绪x十sh六li年nin春chn闰rn二r月yu甲ji子,余y游yu巴b黎l蜡l人rn馆。见jin所su制zh蜡l人,悉x仿fng生shng人,形xng体t态ti度,发f肤f颜yn色,长chng短dun丰fng瘠,无w不b毕b肖。自z王wng公gng卿qng相xing以y至工gng艺y杂z流,凡fn有yu名mng者,往wng往wng留li像xing于y馆。或hu立,或hu卧,或hu坐,或hu俯,或hu笑,或哭,或hu饮,或hu博,骤zhu视sh之,无w不b惊jng为wi生shng人rn者。余y亟j叹tn其q技j之zh奇q妙。译y者称chng西x人rn绝ju技,尤yu莫m逾y油yu画,盍h驰ch往wng油yu画hu院,一y观gun普p法f交jio战zhn图t乎? 其q法f为wi一y大d圜yun室,以y巨j幅f悬xun之zh四s壁,由yu屋w顶dng放fng光gung明mng入r室。人rn在zi室sh中,极j目m四s望,则z见jin城chng堡、冈gng峦、溪x涧、树sh林,森sn然rn布b列。两ling军jn人rn马m杂遝t,驰ch者、伏f者、奔bn者、追zhu者、开ki枪qing者、燃rn炮po者、搴qin大d旗q者、挽wn炮po车ch者,络绎y相xing属。每mi一y巨j弹dn堕du地,则z火hu光gung迸bng裂,烟yn焰yn迷m漫。其q被bi轰hng击j者,则z断dun壁危wi楼,或hu黔qin其q庐,或hu赭zh其q垣。而r军jn士sh之zh折zh臂b断dun足,血xu流li殷yn地,偃yn仰yng僵jing仆者,令lng人rn目m不b忍rn睹。仰yng视sh天,则z明mng月yu斜xi挂,云yn霞xi掩yn映;俯f视sh地,则z绿l草co如r茵,川chun原yun无w际。几j自z疑y身shn外wi即j战zhn场,而r忘wng其q在zi一y室sh中zhng者。迨di以y手shu扪mn之,始sh知zh其q为wi壁b也,画hu也,皆ji幻hun也。 余y闻wn法f人rn好ho胜,何h以y自z绘hu败bi状,令lng人rn丧sng气q若ru此?译y者zh曰,所su以y昭zho炯jing戒,激j众zhng愤,图t报bo复f也。则z其q意y深shn长chng矣。夫f普p法f之zh战,迄q今jn虽su为wi陈chn迹,而r其q事sh信xn而r有yu征。然rn者zh此c画hu果gu真zhn邪、幻hun邪?幻hun者zh而r同tng于y真zhn邪?真zhn者zh而r托tu于y幻hun邪?斯s二r者zh盖gi皆ji有yu之。 观巴黎油画记文言文拼音版 《gunblyuhuj》 《观巴黎油画记》 gungxshlininchnrnryujiz,yyubllrngun。jinsuzhlrn,xfngshngrn,xngttid,ffyns,chngdunfngj,wbbxio。zwnggngqngxingyzhgngyzli,fnyumngzh,wngwnglixingygun。hul,huw,huzu,huf,huxio,huk,huyn,hub,zhushzh,wbjngwishngrnzh。yjtnqjzhqmio。yzhchngxrnjuj,yumyyuhu,hchwngyuhuyun,ygunpfjiozhnth? 光绪十六年春闰二月甲子,余游巴黎蜡人馆。见所制蜡人,悉仿生人,形体态度,发肤颜色,长短丰瘠,无不毕肖。自王公卿相以至工艺杂流,凡有名者,往往留像于馆。或立,或卧,或坐,或俯,或笑,或哭,或饮,或博,骤视之,无不惊为生人者。余亟叹其技之奇妙。译者称西人绝技,尤莫逾油画,盍驰往油画院,一观普法交战图乎? qfwiydyunsh,yjfxunzhsb,yuwdngfnggungmngrsh。rnzishzhng,jmswng,zjinchngbo、gnglun、xjin、shln,snrnbli。lingjnrnmzt,chzh、fzh、bnzh、zhuzh、kiqingzh、rnpozh、qindqzh、wnpochzh,luyxingzh。miyjdndud,zhugungbngli,ynynmmn。qbihngjzh,zdunbwilu,huqinql,huzhqyun。rjnshzhzhbdunz,xuliynd,ynyngjingpzh,lngrnmbrnd。yngshtin,zmngyuxigu,fshd,zlcoryn,chunyunwj。jzyshnwijzhnchng,rwngqziyshzhngzh。diyshumnzh,shzhqwiby,huy,jihuny。 其法为一大圜室,以巨幅悬之四壁,由屋顶放光明入室。人在室中,极目四望,则见城堡、冈峦、溪涧、树林,森然布列。两军人马杂遝,驰者、伏者、奔者、追者、开枪者、燃炮者、搴大旗者、挽炮车者,络绎相属。每一巨弹堕地,则火光迸裂,烟焰迷漫。其被轰击者,则断壁危楼,或黔其庐,或赭其垣。而军士之折臂断足,血流殷地,偃仰僵仆者,令人目不忍睹。仰视天,则明月斜挂,云霞掩映;俯视地,则绿草如茵,川原无际。几自疑身外即战场,而忘其在一室中者。迨以手扪之,始知其为壁也,画也,皆幻也。 ywnfrnhoshng,hyzhubizhung,lngrnsngqruc?yzhyu,suyzhojingji,jzhngfn,tbofy。zqyshnchngy。fpfzhzhn,qjnsuwichnj,rqshxnryuzhng。rnzhchuguzhny、huny?hunzhrtngyzhny?zhnzhrtuyhuny?srzhgijiyuzh。 余闻法人好胜,何以自绘败状,令人丧气若此?译者曰,所以昭炯戒,激众愤,图报复也。则其意深长矣。夫普法之战,迄今虽为陈迹,而其事信而有征。然者此画果真邪、幻邪?幻者而同于真邪?真者而托于幻邪?斯二者盖皆有之。 为您推荐:观巴黎油画记文言文翻译赏析